这条影评符合你要求 有1000字左右:

原名《Hero》，直译就是“英雄”，可是被应用广泛的译名却是“无名英雄”。这个译名咋看像囊括了影片的中心，但实际上把影片要表达的更多的意思缩小化了。
一般情况下我还不是特别在意片名的翻译，毕竟原话被传过之后总会出现点小误差，但是这个片子直译应该是最正确的。

影片讲的是由达斯汀.霍夫曼扮演的一个小人物在一个暴雨的夜晚从遇难的飞机中救出50多人，之后默默离去。后来电视台找他的时候，由安迪.加西亚扮演的一个和他谈过话的流浪汉冒认了“英雄”并且领走了悬赏的100万美元。
影片演到这里的时候，我就一直盼着他最后正身的结局并且憎恨着那个“假英雄”；可是情节上开始发生转变，“假英雄”的事迹被大家全面接受和认可，他出席慈善活动的时候奇迹般的唤醒了一个病危儿童的生命，他的形象在观众的心中逐渐升华，他不仅仅是飞机乘客心中的“英雄”，而是树立了一个“英雄”的形象代言。我们不得不承认舆论的力量是很强大的；而此时“真英雄”因为一些偷鸡摸狗的事被关在监狱等待判刑。

“真英雄”与“假英雄”的道德观念第一次发生冲突。“真英雄”在现实生活中并没有光辉的形象，相反他与妻子离婚、生活拮据、经常偷人东西、到处赊账、典当生活物品，连个普通人的形象都没有，很难想象这样一个人能在生死关头不顾性命安危去救别人。身边的人都对他说“你根本不是这种人”；而“假英雄”被人发现从前在部队就有英雄事迹，而且他并不张扬，平易近人，从精神上感化着世人，人们称他为“上帝派来的天使”，从这层意义上来说，他就是人们要找的“真英雄”。

话到此处，有人可能会认为“真假英雄”更适合做这个标题；但是我会说，这个定论下早了。
正当“假英雄”的影响力越做越大的时候，出现了一件“会抹黑英雄形象”的事件：飞机中被救女记者的皮包在“真英雄”那里找到了。细想一下，在不驳回“假英雄”真实身份的情况下只有一个合理的解释：“假英雄”救人的时候顺手偷了女记者的皮包，之后卖给了“真英雄”兑现。纸里包不住火，“假英雄”崩溃了，一个人站在摩天大楼准备自杀，他的崇拜者围在大楼下面捏着一把汗；恰恰女记者找到了“真英雄”问皮包的事情，见状拉他去救人。
这时，“真英雄”又要做一次英雄了，而“假英雄”良心发现也露出了他最内心深处的感情。两人在名与利的问题上最终达成一致准备离开危险地带的时候，“真英雄”却脚下一滑...眼瞅着就要掉下去了，“假英雄”愣住了：去救他有可能两人一同掉下去；不去救“英雄”的形象就全毁了，女记者高喊“拉他上来”，他用力拉住他，嘴里说道“他要是掉下去，我也不活了”，警察见状也冒险伸出了绳子...

“真英雄”与“假英雄”的观念第二次碰撞，但是并不冲突，而是慢慢融合。做不做英雄，救不救人都只在一瞬之间，所以“假英雄”在之后的发言中说到“只要有机会，大家都是英雄，英雄是我们所有人善良一面的象征”。的确是这样，即使“假英雄”冒认了英雄的称谓，但是在紧要关头他还是表现出了“真英雄”所具有的勇敢，这并不是观念的模糊，而只是告诉我们，我们每个人都可能成为英雄。这正像我们之前接受了小偷可以成为英雄一样，骗子也可以当英雄，这也验证了我们中国的一句古话“英雄不问出身”。

所以直译“英雄”这个名字更利于我们的思考，而不仅仅限定在这个故事里面 Hero (1992)

HERO is a funny, smart, vastly underrated screwball comedy about mistaken identity, and what exactly it is that constitutes "heroism".

Dustin Hoffman plays Bernie Laplante, a small-time crook and generally unpleasant individual, who one rainy night is reluctantly drawn into helping rescue 54 passengers from a burning plane, after it has crashed into a Chicago bridge right in front of him! One of the survivors is Gale Gayley (Geena Davis), a glamorous news reporter, whose TV station decides to offer $1 million for an exclusive interview with the mysterious "Angel of Flight 104", who simply disappeared into the dark of the night before his act of bravery could be recognized, leaving one of his shoes behind amid the chaos.

However, the "Mr Cinderella" who subsequently steps forward to claim the reward, and thereafter becomes lionized by both the media and the public, is not Laplante (rather inconveniently locked up in jail at the time), but John Bubber (Andy Garcia), a handsome, charismatic, though destitute Vietnam veteran, who intends to share his new-found wealth with the city's homeless and other charitable causes. Bubber is able to convince as the real hero, because he gave Laplante a lift immediately after the accident (and is handed Laplante's second shoe as a thank-you, to "pay for the gas"), and thus heard the full story of Laplante's adventure firsthand.

British director Stephen Frears' third American outing (following 1988's DANGEROUS LIAISONS and 1990's THE GRIFTERS) was not a particular success at the box-office, and neither was it especially well-received critically. But I find that difficult to understand, as I think that HERO is probably the most downright enjoyable of all Frears' movies. The three leads are terrific - Davis looks sensational, Hoffman is suitably sleazy (and unexpectedly moving in scenes with his ex-wife, played by Joan Cusack, and his young son, James Madio), and Garcia injects his impostor role with warmth and credibility. The script (by the screenwriter of BLADE RUNNER and UNFORGIVEN) is bright and snappy, and there are fun, uncredited cameos from Chevy Chase (as Davis's pushy boss), Edward Herrmann (as a suicide victim - in a comedy? but yes it IS funny) and Fisher Stevens (as a film director, making a TV movie of the plane crash and using the real survivors as the actors).

HERO was known as ACCIDENTAL HERO (a more appropriate title, in my opinion) in various territories (including the UK), echoing, of course, one of Davis's earlier film triumphs, namely Lawrence Kasdan's splendid THE ACCIDENTAL TOURIST (1988). This was also where Davis reunited with Hoffman, 10 years after the former made her brief film debut in the latter's cross-dressing smash TOOTSIE. Finally, the excellent song played over the end credits is "Heart Of A Hero", written and performed by Luther Vandross.